The Story Behind the Book

I always love hearing a book’s origin story.

The moment that lightning struck in a writer’s imagination and the seed for a great story - fiction or nonfiction - was planted. So often, it’s a moment you would never expect.

For me and The Lincoln-Kennedy Coincidences, it happened in a museum gift shop…three decades ago.

Best guess, I was probably about eleven and remember the feeling quite clearly. Like a lightning bolt sizzling through my body.

Right there, hanging on the wall—or perhaps in one of those hinged frame-turner deals with which you can leaf through different posters—was an eleven-by-fourteen introduction to a genuine mystery of American history.

To its credit, its bold headline ended with a question mark, framing its thesis as merely a possibility, not a declaration. Still, printed on a thick parchment deliberately made to look wrinkled, aged, and important, it looked just like the other replicas hanging beside it: namely, the Declaration of Independence, the Bill of Rights, the Emancipation Proclamation, and the Gettysburg Address. Add to that the historically accurate reproductions of Civil War currencies and maps that looked like they were taken straight off Ulysses Grant’s whiskey-stained living room wall, and this poster with the question mark headline bore a bit more weight. Call it legitimacy by association.

Lincoln-Kennedy Coincidence?” it ruminated in thick black ink across the top, bookended by images of, no surprise, presidential order number sixteen and number thirty-five: Abraham Lincoln and John Kennedy. Beneath the headline, the poster ticked off eighteen overlapping or similar details that connected both the assassinations of the two presidents and the presidents themselves.

At first glance, my eleven-or-possibly-twelve-year-old self stood there slack-jawed, taking in the list and burrowing its details deep down into my long-term memory. It was genuinely one of the most fascinating things I’d ever seen.

Yet for as entertaining as the content of the poster was, that wasn’t what sealed the deal for me. Even at that young age, I knew a little something about odds and the likelihood of coincidence. A very little something, but I knew that for there to be this many coincidences suggested the possibility that none of it was actually coincidence.

In retrospect, that was probably the moment I became mesmerized by both of these events in one fell swoop. In the years that followed, with all the historically slanted term papers and book reports I wrote, books and articles I read, and movies and documentaries I watched, my fascination with the Lincoln and Kennedy assassinations began in that moment—when I became convinced they were somehow cosmically connected.

And though it took roughly a half of a lifetime for that seed to ultimately bloom into a full grown flower, that encounter is the moment that started it all.

What's Left to Say?

Now that my new book The Lincoln-Kennedy Coincidences is finally out, readers have been asking: That’s a really cool topic, but what’s left to say about either assassinations?

It’s a fair question. But one with a surprisingly clear answer.

It’s estimated that about 15,000 books have been written about Abraham Lincoln. In fact, within the lobby of the Ford’s Theatre Center for Education and Leadership stands a tower constructed of a sampling of those books. It’s made up of roughly 6,800 titles, less than half the total count, and stands at a whopping thirty-four feet—a truly amazing monument to the amount of thought and research put into one specific topic.

Believe it or not, the swath of books about John Kennedy is even larger. Upon the fiftieth anniversary of his death in 2013, the New York Times estimated the count at nearly 40,000, with a large percentage of that tally dedicated to his assassination.

Put them together and that’s well over 50,000 books covering a wide range of angles into both men, their presidencies, and their tragic deaths. Yet there’s never been one quite like this.

Even within the subset of books focusing on each president’s assassination, The Lincoln-Kennedy Coincidences remains distinct. Rather than walking through the compelling stories of those tragic events or exploring the motivations or even conspiratorial possibilities behind them, this book grabs hold of a thread running through both presidents and their respective assassinations: the long list of inexplicable similarities and coincidences between the two events. Which is one of those topics that most people are at least vaguely familiar with—one that’s fascinated both casual and serious history buffs for more than half a century.

Chapter by chapter, The Lincoln-Kennedy Coincidences delves into that list and its origins while following the general timeline of each assassination—flying at a different altitude than any of the previous books that have approached these subjects. Along the way, it branches off into side stories and subplots that shine a light into relatively unexplored pockets of each assassination and further tie the two together. From the compilation of the initial list to a campfire story of a curse cast upon the American presidency to the mind-bending metaphysical implications of what all these connections might suggest, this book blends serious historical research with a sprinkle of whimsy.

It began as a simple investigation of that list of eerie coincidences, setting out to decipher which ones are true, which aren’t, and how likely (or unlikely) those similarities really are. Over time and exploration, it branched out into something much more satisfying and evolved into what you’re about to read: a journey along a path filled with colorful people and places making up some truly compelling anecdotes that you won’t believe you haven’t heard.

The end result is a book that will likely feel partially familiar, partially brand new, and totally unlike any of the thousands that have come before.

How Publishing a Book is Almost Nothing Like Having a Baby

I don’t want to compare publishing a book to having a baby, but here I go.

Giving birth (which, full disclosure, I’ve been ringside for but not actually experienced) certainly gets the nod in terms of physical achievement and emotional payoff.

But damn if there aren’t similarities.

Primarily the long wait. You reach a point in both enterprises at which the work is done and all you can do is sit and wait for arrival. Like maturity or the 8:15 commuter train — it gets here when it gets here.

You spend months preparing and then suddenly, one morning, a switch is flipped on Amazon and kaboom — a baby.

As the proud author, I’m now wandering around the proverbial waiting room handing out Kindles and cigars and talking to anybody who wants to listen about how all this happened and where it can be purchased (and there, I now realize, are two more key differences between writing a book and bringing a human being into the world).

That’s about where the string runs out on this hastily-put-together analogy. Whereas with a baby this is the moment that the real work begins, with a book, as gratifying as the publication date is, it’s sort of the end of the road. Sure, there are marketing and promotional responsibilities to fulfill, and as the writer, you’ll follow the book’s progress for years. But it’s primarily a front-loaded effort. It’s less a chapter than an epilogue.

Yet it also represents something akin to a starting gun.

Within the next few days, the proud author, basking in the glory of the achievement and seeing his or her baby on the shelves (yet another key difference, I desperately hope) quickly feels his or her mind turning to the inevitable author’s question:

What’s next?

What Back to the Future Taught Us About Writing a Book

Remember the end of Back to the Future?

Sure, as Sally Struthers would say, we all do. Mr. Fusion, Doc Brown dressed like the Blade Runner version of Ronald McDonald, and the natural beauty of a DeLorean taking flight.

But the part of the last sequence of BTTF that always stuck with me was a minute before that. Track-suited auto-detailer Biff comes lumbering into the house carrying a cardboard box. "Mr. McFly, this just arrived!" he cries unrealistically happily for a man who, seconds before, was just starting a second coat of wax.

The box is opened and we see a stack of books. It's copies of George McFly's first novel - A Match Made in Space - featuring on the cover a radiation-suited "Darth Vader" from planet Vulcan apparently about to crack together the skulls of a pair of mannequin-looking teenagers who may or may not be wearing pajamas.

George grabs the top copy and hands it to Michael J. Fox. "See, like I always told you," George says, "if you put your mind to it, you can accomplish anything."

It's mostly a throwaway moment that simply tells us that in addition to playing tennis on Saturday mornings, George McFly has become a successful writer in this more upbeat and materialistic version of 1985. But for as quick as it is, it stuck with me.

Even as a kid, I imagined what that would feel like. Not traveling through time, but having something so magnificent and permanent as a book you wrote yourself just show up at your house one day.

I've gotten to play that scene out several times now, and it never gets old. However long it look, however much frustration you felt along the journey of writing this thing, that moment where you crack open that box makes it all worth it.

I certainly hope I never reach the point where that moment doesn't light me up. And I hope that I'll always appreciate it.

And think about how cool it is that this thing in this box will be out in the world for anybody to read.

And think about how rare it is in life to have such a satisfying payoff moment for so much hard work.

And, naturally, think about the end of Back to the Future.